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[personal profile] peterbirks
I was going to run through the stress tests on the banks, but I'm having such a rough time of it at the moment that I really couldn't give it the attention it derserves. I'm going to treat myself to a Cumberland Pie For One, write this, and then head off to bed wondering how I got myself into such a situation where life is one long rinse-and-repeat of not having fun.

I see that Alex Higgins died today. He came into a betting shop I was working in once -- the Mecca just off Jermyn Street. It was 1977. He wanted to have a grand on a horse and to take the price. A grand was a big bet in 1977, rather than the petty cash than it is today. I guess it would be closer to ten grand today in "value" (where "value" equals "Birks betting inflation", a completely subjective assessment of how valuable betting money is to Birks). Higgins was with his manager and both were absolutely hammered (this was when pubs shut at 3pm). We couldn't lay the bet at 3-1, so he went round the corner and backed it at 7-2 (the price drifted) with William Hill. It won, as it happens.

Far from being a legend made flesh, Higgins was just a loud Irish drunk, and was egged on by his manager to boot.

When I saw him in a TV series a few years ago, a sad shrunken old man, looking up at the TV and still shouting home the horses for his 20p yankee, I fear that my first reaction was "not such a loudmouth now, are you, mate?"

Higgins was in two classic TV documentaries, and I rather hope that they show the first one again. It could have been called "Loneliness of the long-distance snooker player", marking as it did that period after Pot Black appeared on BBC 2, but before the game really hit the TV highlights. Any money to be made was from hustling, moving from snooker ahall to snooker hall, giving exhbitions and then taking on the best the locals could throw at you -- giving them three blacks start and "just" beating them.

Poker has followed a similar trajectory to snooker when it comes to the media, with Higgins and Stu Ungar following somewhat similar paths, I think.

++++++

BBC2 showed another of the classic Dad's Armys tonight -- an episode I thought was lost. It features Godfrey and his two sisters, an absolutely perfect rendition of Edwardian England surviving long after it had been assumed dead and buried -- right the way down to Godfrey (Arnold Ridley) wearing a tweed three-piece suit (and tie) for tea. Beautiful half-hour's comedy.

One would be tempted to say "they don't make 'em like that any more", but they do, they do. Tom Hollander in "Rev" is magnificent, solely because Hollander makes his character so believable. I think this will one day be seen as one of Britain's classic comedies, assuming it gets another series!

+++++++

My Cumberland Pie For One was very nice, TYVM.

___________

Other sitcoms do exist

Date: 2010-07-25 11:08 am (UTC)
From: [identity profile] geoffchall.livejournal.com
The trick is in recognising that life is rinse-and-repeat, just sometimes with a different shampoo and even with a different hair colour. But the hardcore of get up, eat, live, watch, work, read, sleep is pretty set in stone. Sometimes it's about finding value and worth within those things, although if I could go spend 2 weeks in Vegas, I wouldn't say no. Well, actually I'd say yes, but you don't mind if I spend 10 of the 14 days on the road elsewhere. Still we get to spend a week in Tuscany where none of us have ever been before, so I shouldn't whinge.

Never could stand Dad's Army - I think it's to do with the lack of any sympathetic characters. I disliked them all, except the ones that were pitiful. Certainly I don't see it as the sitcom of genius that a lot of others do. Why does no-one re-show Watching or A Sharp Intake of Breath or Chance in a Million?

Re: Other sitcoms do exist

Date: 2010-07-25 06:52 pm (UTC)
From: [identity profile] peterbirks.livejournal.com
Well, I think it's debatable that you have to have sympathetic characters for a sitcom to be successful, or for it to be liked. Look at Seinfeld, which was eventually killed off because Larry David came to hate all of them. But I have quite a bit of sympathy for the Dad's Army characters. They are bound up in the class system of the day, and are not very competent, but their hearts are in the right place. I think that the cardboard cut-outs of the vicar, his deacon, and Bill Pertwee as the ARP Warden are less successful, because they really are caricatures.

Chance In A Million is now available on DVD. I vaguely recall the other two titles but their characters don't remain in my memory. So perhaps I don't go for "likeable" sitcoms. I found "Butterflies" excrutiatingly embarrassing to watch, despite the presence of some fine actors.

I just don't have enough downtime at the moment, and it's the mortgage on the flat downstairs that's doing it. I just just forget about it and "service" the debt, but I'm not built that way. I want to pay it off and I want to pay it off as soon as possible. So if I do everything I can to do that, I am miserable. But if I don't, I am miserable for a different reason. At least the first way compresses the misery into a shorter period of time!

PJ

Re: Other sitcoms do exist

Date: 2010-07-25 07:19 pm (UTC)
From: [identity profile] geoffchall.livejournal.com
Watching was predominantly a 3-hander starring Emma Wray & Lisa Tarbuck as a paid of sisters and someone playing Emma's boyfriend. They just watch people in the pub and Emma's boyfriend is a birdwatcher. Small wonder that I can blame the Webleys for introducing us to it. A little like Beiderbecke. (http://www.imdb.com/title/tt0092479/).

Thing is I need a sympathetic character because if I dislike all the characters then that gets in the way of my finding any of the jokes funny. In truth I've disliked nearly everything Perry & Croft did. It Ain't 'Alf Hot, You Rang M'Lord and Are You Being Served? Not a pretty collection.

My Inner Anorak

Date: 2010-07-25 08:05 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
Are You Being Served was in fact written by Lloyd and Croft. You are possibly thinking of Hi-De-Hi, which was essentially the last in the P&C trilogy of DA, IAAHM and, well, itself.

It's arguably worse when you get entranced by a team of comic writers and then their work falls of a cliff. I'd cite Galton and Simpson here (Hancock, Steptoe and Son, and ... well, the anti-depressant pills obviously did the trick); David Nobbs (Perrin -- oddly enough with no sympathetic characters, unless you include Elisabeth); and Clement and La Frenais, who had been going way, way downhill since The Likely Lads (don't even dream of checking out one of their films) and hit rock bottom with my snivelly little mate from school, Jonathan Coe, and his deeply unappealing "The Rotter's Club."

But it's a hard life writing TV sitcoms, really. I'm even prepared to give the authors of Father Ted the benefit of the doubt. And then throw up in a bucket afterwards.

Then again (again), there's always the example of Six/Seven of One with Ronnie Barker in 1973. Barker sympathetic enough for you?

Apart from Porridge and Open All Hours, I seem to remember all the other ones with a certain degree of fondness. I'm still not sure why "I'll Fly You For a Quid" (Clement and La Frenais) and "Spanner's Eleven" (Roy Clarke) never made it. I actually liked "Another Fine Mess" (Hugh Leonard), but then I was genetically programmed to like Laurel and Hardy, so perhaps that doesn't count.

Re: Other sitcoms do exist

Date: 2010-07-25 08:14 pm (UTC)
From: [identity profile] peterbirks.livejournal.com
You will be pleased (or perhaps not, how should I know?)that my depression has had one productive outcome. I finally got round to writing up my accounts. Doubtless I've forgotten something, but I think all the numbers are there. Will pop it in the post tomorrow.

Enjoy trying to work out the share dealing. Fucked if I can understand it.

PJ

Re: Other sitcoms do exist

Date: 2010-07-25 07:47 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
Indeed, and Croft & Perry aren't everybody's cup of tea. Quite a lot of episodes of Dad's Army were completely formulaic. (Still actually funny, though, in contrast to Last of the Summer Wine.)

You'd be doing yourself a disservice, though, by refusing to watch the specific episode mentioned by Birks, which is presumably on playback. Let's put it this way: it knocks Terrence Rattigan into a cocked hat as a half-hour drawing-room play, and it could show Noel Coward a thing or two about being humorous, as opposed to being bitchy.

It really is very good indeed.

Re: Other sitcoms do exist

Date: 2010-07-25 08:10 pm (UTC)
From: [identity profile] peterbirks.livejournal.com
I thought the moment when Godfrey tried to get Mainwaring to rest the Gatling Gun on a handkerchief so as not to damage "a rather valuable table" was immaculate.

PJ

Re: Other sitcoms do exist

Date: 2010-07-25 08:37 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
Well, see, that's where this Challinger nicey-nicey crud breaks down.

Unless you suspend disbelief, or perhaps the gag reflex, it's quite possible to see Mainwaring or Godfrey or both as caricature(s). Well, they are. But not necessarily for the sake of a cheap laugh, which I think is the point.

Mainwaring is going to do that anyway, because he's the ranking officer and there's a war on and he's an officious little bugger. Godfrey knows (in a sort of resigned way) that it's all very important, but he's used to certain standards, and, more importantly, so are his sisters. And Mainwaring really doesn't want to hurt anybody under his command, least of all Godfrey.

Listen, if there was a cherry tree in the garden, Chekhov would have cut the fucking thing down before the episode began and just written "The Gatling Gun" instead.

Not that good ole Anton was a bundle of laughs, anyhow.

Re: Other sitcoms do exist

Date: 2010-07-25 09:11 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
I hate to be a total prat here, but I actually think "The Cherry Orchard" was in the back of Croft and Perry's mind when they wrote that episode.

Don't believe me? Well then. Explain the "Ode to an Old Family Cupboard."

And if anybody mentions synchronicity or Aristotelian dramatic structures, I'm gonna puke.

Re: Other sitcoms do exist

Date: 2010-07-25 08:24 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
(Oh, and unlike Birks, I knew it was still extant. I didn't watch it this time round, and it must be all of ten years since I watched it last -- probably on a compilation tape bought in "Ye Olde Englishe Shoppe" in downtown Redwood City.

(I laughed, I cried, I rewound.

(One of the most astonishing things about it is that almost none of the major characters matter worth a damn. It's echt Golden Era British Sitcom from that point of view. From memory, it features Arthur Lowe, John le Mesurier, Clive Dunne, John Laurie ...

(... and, of course, Arnold Ridley, who they must have prised off his mortuary slab for every episode. Consequently, he was under-used for such a fine actor. Not in this case.)

The whole joy of the episode lies in watching Godfrey's sisters. I have no idea who the hell the actresses were. They were magnificent.

Re: Other sitcoms do exist

Date: 2010-07-26 08:37 am (UTC)
From: [identity profile] geoffchall.livejournal.com
I think the problem is partially mine. I am not very good with old people - never was as a kid and now I am one, I don't feel I have a lot in common with my own generation and their life-journey (or whatever). I don't like One Foot in the Grave, Ever Decreasing Circles. The only old-git style programmer which I loved was the sublime I Didn't Know You Cared and that's mainly because of the genius of the Uncle Mort character.

So I detest the pomposity of Mainwaring, the laconic Wilson and Clive Dunn's character is about as OTT as Frank Spencer. All the cast are just old gits. The only youthful character is Pike who is stupid and I don't like stupid people. But then I recognise and probably welcome being out of step. I don't even 'like' Fawlty Towers a lot of the time, Cleese pushing too hard on the embarassment pedal sometimes.

Alex

Date: 2010-07-25 03:04 pm (UTC)
From: [identity profile] miltonkeynesman.livejournal.com
Pete - I guess Mr Higgins was pretty unedifying at times, but at the table nothing less than compelling. Its always thought provoking to try to put yourself into his place and think whether you could have handled the fame, money and temptations and worked out who your real mates were. You would like to think you would have got it right, but I suspect that in those days the agents and managers were less professional in their approach and like in some other sports (boxing, darts ?) when a person such as Higgins comes along the sport isnt prepared for it and in the inevitable media scrum, siren voices can lead you astray. Sure he was responsible for his actions, but some people need more help than others. I would imagine a number of his "mates" have crossed by on the other side in recent times.

Funnily enough I happened to watch the famous frame against Jimmy White (1982 World semi-final ?) on YouTube about 4 weeks ago. It still grips you after all these years, particularly when the cueball gets more & more out of position but he keeps on potting, not at "Hurricane" pace, but still quicker than others. And the crowd were so up for it. Poor old Jimmy, he never stood a chance after that.

Be in touch
Richard

Re: Alex

Date: 2010-07-25 06:45 pm (UTC)
From: [identity profile] peterbirks.livejournal.com
Well, of course, Steve Davis and Jimmy White were at the Ladbrokes' sponsored Sky TV poker tournament, which Jimmy White won. Steve's an affable bloke. I'd seen Jimmy White once before (neither time looking particularly healthy), at Catford Dogs, the night before he was due to play a morning session at Wembley.

Although Higgins was thrilling to watch, I suspect that he might not have been fun "company".

As you say, Higgins wasn't helped by the times, but he hardly sprang from nowhere. He'd been working the snooker halls for a good few years. He embraced TV and benefited enormously from it because he was a "character". I think that his problem was that, like many not-too-bright celebrities in sport, he came to believe his own myth.

George Best too was "destroyed" by the media, but he, like Higgins, welcomed the upside while it was there.

I suppose things have "improved" in that those who might have been killed by media attention are now multi-millionaires whose old age will not be blighted by poverty )for example, Wayne Rooney). Will our successors have less affection for Rooney in 50 years time as a result? Probably.

PJ

Re: Alex

Date: 2010-07-26 11:27 am (UTC)
From: (Anonymous)
Could you not wait a little while before you start having a go at Higgins ? He's not even buried yet FFS. Pretty poor show I think.

Kevin

Re: Alex

Date: 2010-07-26 12:25 pm (UTC)
From: [identity profile] peterbirks.livejournal.com
Fair enough, Kev. I was just writing of my reminiscences, and I do tend to shoot from the hip sometimes. So I wasn't trying to "have a go". Just my own recollections. But you're right. Best to keep unpleasant recollections to myself, or, if written, do so at a different time. Sry.

PJ

Broadcast Sitcoms

Date: 2010-07-29 07:13 pm (UTC)
From: [identity profile] real-aardvark.livejournal.com
I watched "Rev" on your recommendation (amongst others, I should add).

'Fraid it doesn't work for me. Part of this is the "set in Spitalfields" bit; part of it is the "Anglicans are funny" bit; part of it is the endless minutes of sheer embarrassment.

The latest episode (Monday?) summarises the embarrassment with

(1) A joke about clitorises, which the vicar can't be told
(2) A pathetic old tramp, who actually is the vicar's best friend, although he doesn't realise that
(3) A "cool" black guy, who wants to get married in the vicar's church, but would actually rather get pissed whilst watching a girl with big tits play pool rahnd the pub
(4) The vicar's wife, who has more Facebook friends than he does
(5..infinity) I managed about fifteen minutes, and decided that getting pointlessly drunk was a better idea. I'm trying to avoid that. In future I'll concentrate on Joan Bakewell criticising the Beeb for not hiring enough women, and then calling them crumpet anyway.

I'm fairly sure there's room for British sitcoms out there, as long as they're (a) funny and (b) not lazy and (c) preferably not based in London. Black Books proves that you can manage (a) and (b) whilst still contradicting (c).

The Rev, sad to say, does not.

Re: Broadcast Sitcoms

Date: 2010-07-30 11:13 am (UTC)
From: [identity profile] peterbirks.livejournal.com
You were a bit unlucky coming in at episode 5, which was the most atypical of the series so far, and possibly required that you have a little bit of "back story" that would explain away some of your concerns:

1) That pub is Rev's regular haunt, so there had to be some way to establish his isolation. A "rude" joke was a reasonable and, I think, realistic way to do this.
2) Colin the tramp is an important character.
3) I wasn't really happy about the main plot line either. It was the weakest so far.
4) Alex the vicar's wife is an excellent character, honest!
5) A comparison with Black Books isbn't really fair, because this is such a different field. Compared with mainstream BBC sitcoms, I think it's very good. When you take "My Family" as the yardstick, rather than stuff such as Spaced and Nathan Barley, which far too left-field to get good ratings, then you can see that Rev is one of the better ones.

PJ

Re:Rev

Date: 2010-08-10 02:48 pm (UTC)
From: (Anonymous)
I've been trying to like "Rev" and only partially succeeding. This week I had to switch off at the point when the vicar decided to do a bit of shoplifting because he was 5p short of the money he needed to pay for his goods, and the shop assistant would not let him off because there was a thieving vicar impersonator in the area who had already "tried it on" earlier that day.

Don't let the plot device hit you on the arse on your way out.

I agree that Tom Hollander's performance is a good one. I also think that it will get a second series. The Beeb has a track record of giving a second series to comedies even if the first one (e.g. Black Adder, Red Dwarf) was not so great.


Johnny H.

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